Sensational climactic ballet by Christopher Wheeldon, as director and choreographer, and Bob Crowley whose sets and costumes have a touch of genius, have created a unique, unforgettable show. The story has been radically improved, but it is the look of the show that stuns one. Crowley’s designs not only seem part of the choreography but also offer a painterly kaleidoscope. The glimmer of light on water reminds one of Monet, there is more than a touch of Renoir’s rainbow palette in a masquerade ball and the bustling boulevards, while the geometric shapes and vibrant colors in the final ballet evoke Picasso and the paper collages of late Matisse. If you were to freeze the action at any point, you would be left with a powerful image.

Wheeldon’s choreography, ensures the show is never still. Robert Fairchild, a principal dancer with New York City Ballet, is excellent as Jerry because, as well as being able to act and sing, he has the capacity to glide effortlessly into a number. The Royal Ballet’s Leanne Cope is a beguiling Lise, at her best in the big dance routines.